Showing posts with label book lists. Show all posts
Showing posts with label book lists. Show all posts

Saturday, July 31, 2010

15 Biggest Bestsellers EVER after the Bible

The Huffington Post just published a list of the 15 best selling books ever, after the Bible. You can check out their article HERE.

1. Quotations from Chairman Mao
2. The Qur'an
3. Xinhua Dictionary
4. The Book of Mormon
5. Harry Potter and the Sorcerer's Stone
6. And Then There Were None
7. Lord of the Rings
8. Harry Potter and the Half-Blood Prince
9. The DaVinci Code
10. Harry Potter and the Chamber of Secrets
11. The Catcher in the Rye
12. Harry Potter and the Goblet of Fire
13. Harry Potter and the Order of the Phoenix
14. Harry Potter and the Prisoner of Azkabahn
15. Ben Hur

What? No Twilight?

Thursday, April 15, 2010

2009 Challenged Books


One of my favorite authors (Jodi Picoult) and one of my least favorite--and that's being very kind--(Stephenie Meyer) have an interesting connection. Both are on the ALA’s Top Ten Most Frequently Challenged Books of 2009:

1. ttyl, ttfn, l8r, g8r (series), by Lauren Myracle
Reasons: Nudity, Sexually Explicit, Offensive Language, Unsuited to Age Group, Drugs

2. And Tango Makes Three, by Peter Parnell and Justin Richardson
Reasons: Homosexuality

3. The Perks of Being A Wallflower, by Stephen Chbosky
Reasons: Homosexuality, Sexually Explicit, Anti-Family, Offensive Language, Religious Viewpoint, Unsuited to Age Group, Drugs, Suicide

4. To Kill A Mockingbird, by Harper Lee
Reasons: Racism, Offensive Language, Unsuited to Age Group

5. Twilight (series) by Stephenie Meyer
Reasons: Sexually Explicit, Religious Viewpoint, Unsuited to Age Group

6. Catcher in the Rye, by J.D. Salinger
Reasons: Sexually Explicit, Offensive Language, Unsuited to Age Group

7. My Sister’s Keeper, by Jodi Picoult
Reasons: Sexism, Homosexuality, Sexually Explicit, Offensive Language, Religious Viewpoint, Unsuited to Age Group, Drugs, Suicide, Violence

8. The Earth, My Butt, and Other Big, Round Things, by Carolyn Mackler
Reasons: Sexually Explicit, Offensive Language, Unsuited to Age Group

9. The Color Purple, Alice Walker
Reasons: Sexually Explicit, Offensive Language, Unsuited to Age Group

10. The Chocolate War, by Robert Cormier
Reasons: Nudity, Sexually Explicit, Offensive Language, Unsuited to Age Group

Thursday, February 18, 2010

Not Exactly the 10 I'd Have Chosen


I did post a Valentine cartoon, but I didn't post anything book-y about Valentine's Day. However, I just ran across a list of Ten Great Novels of Love on the blog of the Florida Center for the Literary Arts at Miami Dade College and couldn't resist posting them here to see what you think about the choices.


Blog author Chauncy Mabe writes: Here’s my beginners’ list of Ten Great Novels of Love, just to get the conversation started. These are given in the order I thought of them, no qualitative ranking is implied.

1. Lolita, by Vladimir Nabokov. Yes, this is a story about pedophilia, but Humbert Humbert, while a genuine comic villain, is a most romantic pedophile.

2. Pride and Prejudice, by Jane Austen. Including this title is so obvious, it’s like saying the sky is blue. Still, its greatness transcends its popularity, and it may be the only novel on this list with a genuine happy ending.

3. Gone with the Wind, by Margaret Mitchell. Darden Pyron, author of Southern Daughter, a biography of Mitchell, convinced me that GWTW is that rare popular novel that also has literary merit. Interestingly, in his landmark book The Mask of Sanity, pioneering psychiatrist Hervey Cleckley analyzed Scarlett O’Hara as a prime example of a psychopathic personality.

4. The French Lieutenant’s Woman, by John Fowles. Despite some modernist literary trickery, this is one of my personal favorites.

5. Giovanni’s Room, by James Baldwin. Still a young black firebrand, Baldwin risked his career when he published this daring story of gay love in 1956.

6. Madame Bovary, by Gustav Flaubert. One of the greatest of all time, Flaubert’s novel of Emma’s doomed search for romantic love is, with its emphasis on personal identity and fulfillment, possibly the first 20th century novel. It was published in 1856.

7. The Great Gatsby, by F. Scott Fitzgerald. Yes, I know this is really Nick Carraway’s story, but Gatsby’s pining for Daisy Buchanan is the engine that drives the plot.

8. A Farewell to Arms, by Ernest Hemingway. An axiom of literature is that the biggest romantics are always the tough guys. I could as easily have listed The Sun Also Rises or For Whom the Bell Tolls. The late dialogue between Henry and Catherine goes on and on and on, and gets pretty funny at times, surely not Hemingway’s intention, but it’s a great love story nonetheless.

9. Emma, Who Saved My Life, by Wilton Barnhardt. Another personal favorite, and another story of unrequited love. Published in 1989, it’s one of the best coming-of-age-in-NYC novels I’ve ever read. Hilarious, too. It never gets the attention it deserves.

10. The Unbearable Lightness of Being, by Milan Kundera. The story of a philandering doctor during the blooming freedoms of the Prague Spring, it’s a novel unlike any other in my experience, with it’s digressive mixture of intellectual power, romance, sex, liberty.

11. Okay, I’m cheating, but I can’t end a list like this without mentioning Lawrence Durrell’s Alexandria Quartet, four novels that tell the same stories from different points of view. Set in Egypt during the ’30s and ’40s, it’s central love affair is that of an impoverished English writer and a rich and beautiful Jewish socialite. It’s possibly the most romantic thing I’ve ever read.

I’ve left out a world of great love novels. What are some of yours?

Saturday, January 23, 2010

What I'm Reading Now


At Harding, all of our senior English majors are required to participate in Senior Symposium. They choose a paper written for a previous class, and under the supervision of a faculty mentor, expand it into a scholarly research paper, which they present to an audience of faculty and fellow students.


Faculty mentors can get lucky several ways. First of all, you can be assigned to a student who wants to write about a book you've already read--not as much work for you. Secondly, the book your student has chosen to write about is not one you've read, but it is one that's been on your huge, nebulous, ever-growing to-read list (so you're forced/you get to move it up to the top of your list, and it becomes work-related reading, which relieves guilt. I've got to read it! It's my job!). Thirdly, you can be assigned to work with a great student. Or, if you're really lucky, you get assigned to a great student who wants to write about a book you've already read.


Well, it's not a book I've already read, but I believe I'm really going to enjoy working with my student. And the book she's chosen to write about, Arundhati Roy's The God of Small Things, is great reading. I started it last Friday, and I'm almost finished with it.


From Publishers Weekly
With sensuous prose, a dreamlike style infused with breathtakingly beautiful images and keen insight into human nature, Roy's debut novel charts fresh territory in the genre of magical, prismatic literature. Set in Kerala, India, during the late 1960s when Communism rattled the age-old caste system, the story begins with the funeral of young Sophie Mol, the cousin of the novel's protagonists, Rahel and her fraternal twin brother, Estha. In a circuitous and suspenseful narrative, Roy reveals the family tensions that led to the twins' behavior on the fateful night that Sophie drowned. Beneath the drama of a family tragedy lies a background of local politics, social taboos and the tide of history, all of which come together in a slip of fate, after which a family is irreparably shattered. Roy captures the children's candid observations but clouded understanding of adults' complex emotional lives. Rahel notices that "at times like these, only the Small Things are ever said. The Big Things lurk unsaid inside." Plangent with a sad wisdom, the children's view is never oversimplified, and the adult characters reveal their frailties, and in one case, a repulsively evil power, in subtle and complex ways. While Roy's powers of description are formidable, she sometimes succumbs to overwriting, forcing every minute detail to symbolize something bigger, and the pace of the story slows. But these lapses are few, and her powers coalesce magnificently in the book's second half. Roy's clarity of vision is remarkable, her voice original, her story beautifully constructed and masterfully told.