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P.S. Happy Birthday, Travis!
random thoughts about books, words, life, writing, and the occasional movie, of varying levels of significance, in no particular order
To celebrate it's 125th anniversary, Good Housekeeping is having its first ever short story contest.
You must be 21 or older to enter. Submissions should be original, 3,500 words or less, and focus on the lives of women today. The deadline for submissions is Sept. 15.
The winner will receive $3,000.00 and publication of her story in GH (no small thing as the magazine has featured work by Ray Bradbury, John Cheever, Rona Jaffe, Nicholas Sparks, Maeve Binchy, Jennifer Weiner, Elinor Lipman and Picoult).
Stories will be judged by Jodi Picoult, author of such books as My Sister's Keeper and Handle With Care.
For more information, go to Good Housekeeping's website.
Billy Collins, former poet laureate, will be speaking at the CSC next week. I can't wait!
There are certain types of books that I more or less assume all readers read. (Novels, for example.)But then there are books that only YOU read.
Instructional manuals for fly-fishing. How-to books for spinning yarn. How to cook the perfect souffle. Rebuilding car engines in three easysteps. Dog training for dummies. Rewiring yourhouse without electrocuting yourself. Tips on how to build a NASCAR course in your backyard. Stuff like that.
What niche books do YOU read?
They're right. Novels have always made up the bulk of my reading. But I've always read up on subjects I'm interested in, too. Right now, my "niche" reading falls into these main categories: Health/Exercise, Women's Spirituality, and Feminist Literary Theory.
And you?
Here's my paper proposal for the CSC:
Before the Enlightenment, the worldview of western civilization was fairly consistent, yet after the Age of Reason, it split into a Christian worldview and a naturalistic one, which further fragmented into existentialism, postmodernism, multiculturalism, and so on. This fracturing is amply evident in the literature produced from the 18th century onward. Most narratives are an attempt to tell the truth, or at least to explore some facet of it, but if western culture has removed God and ultimate truth as a unifying force, how else can one approach “story” but from fragmented identities—race, gender, ethnicity, or some other type of self-defined category? There must be some kind of drive, unifying force, or “truth” behind the narrative: Women are oppressed; African-Americans are oppressed; British imperialists commandeered our culture; God is dead.
CHOOSING A NARRATIVE
Choosing a story to tell often shapes the messages we send about faith, history, literature and our world view. How should a scholar balance a comprehensive perspective with the voices of race, class, and gender? To be considered for this peer reviewed session, please submit proposals on topics relating either to how we effectively communicate a narrative – whether in the classroom, pulpit, through media, or in the public sector– or how and why we choose a narrative to communicate.
Then, I found out that Billy Collins (former poet laureate) and Marilynn Robinson (author of Gilead and Home) were the keynote speakers. I was hooked. In the euphoria engendered by the exciting topic and the wonderful speakers, I thought, sure, I can work on my dissertation and write a paper for a conference, too. I'll have plenty of time.
What in the world was I thinking?
The conference begins on the 26th, and I don't have my paper written yet. Just what I needed. More stress.
I'll tell you what my paper's supposed to be about tomorrow.
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The Piano Teacher, the most famous novel of Elfriede Jelinek, who was awarded the 2004 Nobel Prize in Literature, is a shocking, searing, aching portrait of a woman bound between a repressive society and her darkest desires.
Erika Kohut is a piano teacher at the prestigious and formal Vienna Conservatory, who still lives with her domineering and possessive mother. Her life appears to be a seamless tissue of boredom, but Erika, a quiet thirty-eight-year-old, secretly visits Turkish peep shows at night to watch live sex shows and sadomasochistic films. Meanwhile, a handsome, self-absorbed, seventeen-year-old student has become enamored with Erika and sets out to seduce her. She resists him at first, but then the dark passions roiling under the piano teacher's subdued exterior explode in a release of sexual perversity, suppressed violence, and human degradation.